huge collection
Vincent Laurence van der Winne and his still lifes vanitas: where did the artist hide his portrait?
Vincent Laurence van der Winne (1628–1702) is a Dutch artist and writer. Initially, van der Winne was engaged in weaving, but then, sensing a craving for fine art, he decided to focus on painting. Especially popular are the still lifes of this master, in which he hid his own portrait. Der Winne was the only (according to available historical data) student of Frans Hals, the artist of the Golden Age of Holland, who actually painted his portrait in 1660.
Van der Vinne’s paintings are mainly vanitas still lifes and genre scenes, many of which include a portrait paper sketch of the painter himself. His style was later copied by Evert Collier, Peter van Eisen and Barent van Eisen. Continue reading
What is special about the landscapes that are called the most Italian: Veduta and Capriccio
History did not preserve the name of the tourist that the first one wanted to take away from Italy a picturesque “postcard” in memory of the trip and thereby laid the foundation for a whole direction in the visual arts. However, it is unlikely that such a lover of beauty was the only one – this country in the south of Europe would sooner or later seduce connoisseurs with its landscapes immortalized on canvas.
Veduta
Translated from Italian, “Veduta” means “view”. This is a picture, drawing or engraving, which details the city landscape. In fact, Veduta is the prototype of photography, the golden rule of this genre is great accuracy. Therefore, the one who ordered the artist a city landscape really took home the memories of his journey. Continue reading
Ciphers, signs and self-portraits: How artists of the past signed their paintings
Not every masterpiece of painting contains the signature of the artist. There were reasons for this, both at the dawn of the Renaissance and in the modern era; they are now. Some of the works were “signed” by the masters in unusual ways – symbols in which an indication of the identity of the author was hidden. Bones, butterflies, cats appeared in the paintings for a reason.
Why it was not customary to sign a work before
Having finished work, put your signature in the lower right corner of the picture – a custom that entered the practice of artists during the early Renaissance. Alas, authorship of earlier works is often not possible to establish – primarily because of the lack of signatures on them. Artists of the Middle Ages then united in workshops, and had no right to show any individualism in creativity, this was perceived as vanity. In addition, most of the works were devoted to religious subjects, and to put their own name on paintings depicting saints was akin to sacrilege. Continue reading