19th Century Girl Albums: Entertainment for Bored Aristocrats or a Separate Genre in Art?
The young ladies of the 19th century were not so different from the modern ones: they also needed attention, recognition, evidence of sympathy from friends and, of course, a cordial…

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Other worlds in pastel-candy paintings with mysterious subjects
Syd Bee is an artist from Seattle whose work seems to have been torn straight from the world of dreams. Bee uses rich, pink tones in many of his works,…

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Two brides for one groom: The riddle of a picturesque plot about the mystical betrothal of St. Catherine
Among the works of Renaissance masters and later periods in the history of painting, there are often those that depict "the mystical betrothal of St. Catherine." At the same time,…

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convince him

Two brides for one groom: The riddle of a picturesque plot about the mystical betrothal of St. Catherine

Among the works of Renaissance masters and later periods in the history of painting, there are often those that depict “the mystical betrothal of St. Catherine.” At the same time, the essence of what is happening may seem vague – after all, betrothal in the usual sense of modern man does not occur on canvas. It turns out that two different women could be brides in such paintings, but the groom is always alone.

First bride – St. Catherine of Alexandria

St. Catherine of Alexandria lived in Egypt in the 3rd century AD. Before the adoption of Christianity, she bore the name of Dorothea and was the daughter of the ruler of Alexandria. The girl was famous for her extraordinary beauty, wisdom, spiritual qualities, and was, of course, an enviable bride, but in grooms she wanted only the most worthy – the one who will surpass her in everything. Then Catherine’s mother took her to the old hermit, who was praying in a cave near the city. He told the girl that he knew the one who is better in everything. Continue reading

The riddle and curse of the “Crying Boy”: Why Amadio was called the devil painter
The Italian painter Bruno Amadio, who worked under the pseudonym Giovanni Bragolin, is considered to be the most dramatic and sinister artist in the history of art of the 20th…

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The riddle and curse of the “Crying Boy”: Why Amadio was called the devil painter
The Italian painter Bruno Amadio, who worked under the pseudonym Giovanni Bragolin, is considered to be the most dramatic and sinister artist in the history of art of the 20th…

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Creativity for the Mentally Ill: A Book That Changed History
Sometimes you can hear such a statement that in order to create a masterpiece, you must be either a genius or a madman. Tarragon - the hero of the play…

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