Claude Monet is an artist whose name is inseparable from impressionism. He painted landscapes, water lilies, poplars, ladies in the garden, women with umbrellas, the London parliament, boats, the Normandy coast and … poppies. He captured these delightful red meadow treasures with a single brush stroke of bright red against a background of endless green fields. The painting Poppy Field was painted in the vicinity of Argenteuil (northwestern suburb of Paris), where Monet lived between 1871 and 1878. A beautifully depicted summer day is captured in all its glory with bright poppies complementing thin clouds in a clear blue sky.
Shapes and objects Continue reading
What is the secret of the paintings of Giuseppe Arcimboldo, which inspired Dali and other surrealists of the XX century
Fantastic talent and eccentric portraits made Giuseppe Arcimboldo, one of the strangest Renaissance artists, world famous. His compositions of portraits of flowers, fruits, leaves, fish and books are unique in their kind. The amazing canvases of Arcimboldo show wit and irony. It was thanks to his figurative representations that Archimboldo became one of the inspirers for the surrealists of the 20th century.
The Spanish artist Salvador Dali (1904-1989) is one of those who appreciated the works of the Milanese master most of all for their unusual metaphorical and fantastic character. He interpreted several of the motives of the Renaissance master in his own works. When Dali paints objects that are stretched, laid out or transformed, he supports the tradition begun by Arcimboldo. Continue reading
Secrets of “Ladies with an Ermine”: What does the cute animal in the painting of Leonardo da Vinci hide
“The Lady with the Ermine” (1489-1490) is one of the most important works of all Western art, the subject of the greatest rarity of the genius Leonardo da Vinci and one of the four famous female portraits of the master. Modern art critics are sure – the white animal in the picture appeared for a reason.
Transformation of the picture
To date, only a small part of the picture has remained genuine, the rest has been repeatedly retouched: the entire background was darkened, the dress was changed, and the transparent veil worn by the woman was repainted in combination with hair color. Another adjustment of the unknown restorer was the addition of dark shadows between the fingers of her right hand (upon careful examination of the two lower fingers it is noticeable that they are significantly inferior to the others). However, the most important discovery of the picture was that the Italian artist did not write the work in one stage, but in three clearly distinguishable stages. Continue reading