Monet is a spot, Manet is a people: How to distinguish two masters of impressionism
Their acquaintance began with a big conflict, but later they became great friends. Monet — Manet is a story of long-standing friendship based on great respect and mutual assistance. When…

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Paintings of an artist who has loved one woman and one city for 60 years
It is not often that fate favors artists with benefits at the same time in all areas of life. Few people manage to walk a life and career on a…

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Secrets of the painting “A Lady with a Parrot by the Window”: How the Smile of a Heroine and a Bird are Connected
Caspar Netscher is a Dutch artist of German descent, an outstanding portrait painter, and also a master of depicting everyday scenes of the Dutch elite. He also developed a technique…

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How Peter Konchalovsky managed to avoid repression and why the artist was called the Soviet Cezanne

Not many painters who disobeyed the socialist regime in times of bloody repression managed to escape punishment. Today I would like to recall the name of one of them – Pyotr Petrovich Konchalovsky. In those terrible years, the artist managed to remain a “pure” painter who avoided the embodiment of socialist reality and portraits of its leaders in his creations. Moreover, to take as a basis for his work the direction of the hostile Western art, which is why he was named in his time – the Soviet Cezanne.

It should be noted that the great merit of Anatoly Lunacharsky, the first People’s Commissar of Education of the RSFSR, was that Pyotr Petrovich was allowed to create freely, despite the attacks of critics who longed for the proletarian coup and the ecstasy of socialist work in the artist’s works. Anatoly Vasilievich convinced the guardians of the dogmas of socialist realism that Konchalovsky in his modern day “sings the poetry of our everyday life” and, apparently, the People’s Commissar did quite well. Continue reading

The riddle and curse of the “Crying Boy”: Why Amadio was called the devil painter
The Italian painter Bruno Amadio, who worked under the pseudonym Giovanni Bragolin, is considered to be the most dramatic and sinister artist in the history of art of the 20th…

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The world of childhood of the XIX century in the paintings of Gaetano Cierizi
Many viewers are interested in everyday painting of old masters of the past centuries, who knew how not only to reliably capture the life of their people in the smallest…

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The riddle and curse of the “Crying Boy”: Why Amadio was called the devil painter
The Italian painter Bruno Amadio, who worked under the pseudonym Giovanni Bragolin, is considered to be the most dramatic and sinister artist in the history of art of the 20th…

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Secrets of self-portraits of famous artists: Reflection in the mirror, portrait-bacon and other oddities
Self-portrait in most cases is an instrument of narcissism, an attempt to leave your image in eternity. But if a genius takes up the matter, his image on canvas can…

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