Beloved woman of Boris Kustodiev, in whose name he overcame hellish pain and created his best works
“Dear Yulik” - that’s what Boris Kustodiev called Yulia Proshinskaya, which was everything for the artist: a faithful and selfless wife, and the greatest love, and a devoted friend, and…

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“Love Letter” by Jan Vermeer: Why the lute is central to the picture
Cristobal Balenciaga once said that “a good fashion designer should be an architect for patterns, a sculptor for form, an artist for design, a musician for harmony, and a philosopher…

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How Pavel Tretyakov competed with the emperor to create the most famous art gallery in Moscow
Before the revolution, patronage of the arts was considered not only charitable, but also beneficial for the donor himself, and the point here was not taxes at all. According to…

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painter himself

How the primitive paintings of Grandma Moses influenced the course of the Cold War

Having crossed the age limit for 60 years, many no longer expect any fateful changes from life and quietly live out their lives. However, history knows many cases when older people achieved tremendous success at a very respectable age. Most often this happened when they took up brushes and paints. So, one of the most popular artists of America in the mid-twentieth century – Grandmother Moses, who first painted at 76, had a stunning world-wide fame as a painter for her 100th birthday and was drawn into the intrigues of American propaganda.

Grandmother Moses (1860-1961), whose real name is Anna Mary Moses, nee Robertson, is a well-known American amateur artist, one of the most famous representatives of primitivism in the history of painting in the United States. The farmer’s wife and mother of 10 children, five of whom died before reaching the age of one, became famous when she was over eighty. Continue reading

How Peter Konchalovsky managed to avoid repression and why the artist was called the Soviet Cezanne

Not many painters who disobeyed the socialist regime in times of bloody repression managed to escape punishment. Today I would like to recall the name of one of them – Pyotr Petrovich Konchalovsky. In those terrible years, the artist managed to remain a “pure” painter who avoided the embodiment of socialist reality and portraits of its leaders in his creations. Moreover, to take as a basis for his work the direction of the hostile Western art, which is why he was named in his time – the Soviet Cezanne.

It should be noted that the great merit of Anatoly Lunacharsky, the first People’s Commissar of Education of the RSFSR, was that Pyotr Petrovich was allowed to create freely, despite the attacks of critics who longed for the proletarian coup and the ecstasy of socialist work in the artist’s works. Anatoly Vasilievich convinced the guardians of the dogmas of socialist realism that Konchalovsky in his modern day “sings the poetry of our everyday life” and, apparently, the People’s Commissar did quite well. Continue reading

Sentimental paintings about the village children of Frederick Morgan

Today, lovers of sentimental painting are given the opportunity to get acquainted with the magnificent gallery of genre paintings by the English artist Frederick Morgan, who worked at the turn of the last two centuries and created a number of paintings dedicated to rural children.

The theme of children in the 18th century was very winning. These paintings diverged from the collections of wealthy art lovers with enviable speed. How could you not admire the images of cute angels: blue eyes, a sugar smile, sincerity, the desire to imitate adults in everything. And the fact that the plot canvases depicting the children of an English painter were very popular during his lifetime was quite natural.

Frederick Morgan was born in London in 1847. His father John Morgan was also an artist. At one time he graduated from the school of design, and later becoming a member of the Society of British Artists, he painted paintings on historical and biblical themes. Continue reading

Two seasons of love by Paul Gauguin: Virtuous Danish and passionate Tahitian
Paul Gauguin was passionate and enthusiastic, he could instantly be inflamed with passion, but his feelings passed as quickly as they appeared. Only two women left a deep mark on…

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What is special about the landscapes that are called the most Italian: Veduta and Capriccio
History did not preserve the name of the tourist that the first one wanted to take away from Italy a picturesque "postcard" in memory of the trip and thereby laid…

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The riddle and curse of the “Crying Boy”: Why Amadio was called the devil painter
The Italian painter Bruno Amadio, who worked under the pseudonym Giovanni Bragolin, is considered to be the most dramatic and sinister artist in the history of art of the 20th…

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