The world of childhood of the XIX century in the paintings of Gaetano Cierizi
Many viewers are interested in everyday painting of old masters of the past centuries, who knew how not only to reliably capture the life of their people in the smallest…

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“Love Letter” by Jan Vermeer: Why the lute is central to the picture
Cristobal Balenciaga once said that “a good fashion designer should be an architect for patterns, a sculptor for form, an artist for design, a musician for harmony, and a philosopher…

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What are the secret meanings of the image of a parrot in the paintings of great artists of different eras
For artists of the Gothic, Early Renaissance and High Renaissance, birds were part of a rich visual symbolism. In a society with limited literacy, allegorical images were vital for the…

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reproductions

How Peter Konchalovsky managed to avoid repression and why the artist was called the Soviet Cezanne

Not many painters who disobeyed the socialist regime in times of bloody repression managed to escape punishment. Today I would like to recall the name of one of them – Pyotr Petrovich Konchalovsky. In those terrible years, the artist managed to remain a “pure” painter who avoided the embodiment of socialist reality and portraits of its leaders in his creations. Moreover, to take as a basis for his work the direction of the hostile Western art, which is why he was named in his time – the Soviet Cezanne.

It should be noted that the great merit of Anatoly Lunacharsky, the first People’s Commissar of Education of the RSFSR, was that Pyotr Petrovich was allowed to create freely, despite the attacks of critics who longed for the proletarian coup and the ecstasy of socialist work in the artist’s works. Anatoly Vasilievich convinced the guardians of the dogmas of socialist realism that Konchalovsky in his modern day “sings the poetry of our everyday life” and, apparently, the People’s Commissar did quite well. Continue reading

The riddle and curse of the “Crying Boy”: Why Amadio was called the devil painter

The Italian painter Bruno Amadio, who worked under the pseudonym Giovanni Bragolin, is considered to be the most dramatic and sinister artist in the history of art of the 20th century, who was called the devil painter. His name, in particular, is associated with a terrible story that terrifies many who have encountered his creation “The Crying Boy”, covered in a terrible legend, rumors and speculation.

A few words about the artist

Bruno Amadio (Giovanni Bragolin) was born in 1911 and lived a fairly long life, leaving a number of art paintings that depict crying children. Despite the fact that the artist lived in the last century, very little information has been preserved about him. After his life, there were practically no personal photos left, he never gave interviews to journalists, art historians did not write their reviews about him. It is only known that in the war years he was a member of World War II, who fought on the side of Mussolini. At the end of the war he moved to Spain, and already there he changed his real name from Bruno Amadio to Giovanni Bragolin. Later he lived and worked in Venice, was a restoration artist. Continue reading

7 beloved women by Pablo Picasso
“If he had not become an artist, he would have become Don Juan,” once said a friend of Pablo Picasso, the French playwright Jacques Cocteau. And it’s hard to disagree…

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What riddles Claude Monet left in his painting "Poppies"
Claude Monet is an artist whose name is inseparable from impressionism. He painted landscapes, water lilies, poplars, ladies in the garden, women with umbrellas, the London parliament, boats, the Normandy…

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The riddle and curse of the “Crying Boy”: Why Amadio was called the devil painter
The Italian painter Bruno Amadio, who worked under the pseudonym Giovanni Bragolin, is considered to be the most dramatic and sinister artist in the history of art of the 20th…

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