the cortex
Secrets of the painting “A Lady with a Parrot by the Window”: How the Smile of a Heroine and a Bird are Connected
Caspar Netscher is a Dutch artist of German descent, an outstanding portrait painter, and also a master of depicting everyday scenes of the Dutch elite. He also developed a technique that allowed him to imitate a wide range of textures: be it linen, satin or coarse fibers of an oriental carpet. Caspar Netscher is part of a triad of prominent Dutch Golden Age masters along with Rembrandt and Vermeer.
From the life of an artist
Netsher was the son of sculptor Johann Netscher. As a child, he was sent to Amsterdam to study with Hendrick Coster, a little-known artist of still lifes and portraits. In 1664, Netscher moved to Deventer to complete his studies in the workshop of Gerard Terborch. Having done this, he went to Italy in 1658, then to Bordeaux, where Netscher married Margaret Godin and lived there for several years. In 1662, in The Hague, Netscher became a member of the Society of Artists. At this early stage, he wrote small genre compositions, preferring the dark colors and themes of everyday life, which Terborch clearly influenced. Continue reading
Monet is a spot, Manet is a people: How to distinguish two masters of impressionism
Their acquaintance began with a big conflict, but later they became great friends. Monet — Manet is a story of long-standing friendship based on great respect and mutual assistance. When Monet was in financial difficulties, he wrote to Mane for help. Manet not only never refused to help his colleague, but after he found out about the illness of Camille, Monet’s first wife, he wrote off all Claude’s debts. Due to Monet’s influence, Manet more often painted in the open air and brightened his palette. These were not just real people, but also great talents with big hearts.
Eduard Manet was one of the first modernist artists of the 19th century to turn to the objects of modern life; he became a key figure in the transition from realism to impressionism. In addition, he was a key figure in the transition from realism to impressionism and one of the first in this era to portray modern life. Continue reading
Creativity for the Mentally Ill: A Book That Changed History
Sometimes you can hear such a statement that in order to create a masterpiece, you must be either a genius or a madman. Tarragon – the hero of the play “Waiting for Godot” by Samuel Becket, said that “we are all born crazy. And some of them remain … “Yes, and where is the line that separates genius from madness? In 1922, a German psychiatrist published a book in which he showed the work of the mentally ill, and this book made a splash among both the psychiatric society and artists.
The fact that some very talented, and even brilliant people suffered from various mental disorders is not news. So, it is known that Gogol suffered from manic-depressive psychosis, and Leo Tolstoy often had bouts of depression that alternated with numerous phobias. Maxim Gorky was prone to vagrancy and pyromania, and some experts insist that Lermontov suffered from a form of schizophrenia that he inherited from his mother.
Mental suffering – whether they are caused by objective life difficulties or real mental disorders, really somehow affect people’s creativity. And the German psychiatrist Hans Prinzhorn undertook to investigate this influence. Continue reading
