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19th Century Girl Albums: Entertainment for Bored Aristocrats or a Separate Genre in Art?
The young ladies of the 19th century were not so different from the modern ones: they also needed attention, recognition, evidence of sympathy from friends and, of course, a cordial secret, which was expressed in allegories and symbols – often poetic. Now social networks are used for this, then – albums, quite intimate, but not closed from other manuscript books.
Album History
Unlike diaries closed from prying eyes, albums were created to be shown – to friends and relatives, to those who would also be asked to leave a record. The albums were filled with the “wrong hand”, but at the same time bore the imprint of the owner’s personality – it was he who determined who to include in his inner circle and whose work to keep as a keepsake. Continue reading
Fantastic take-off and the tragic end of the discoverer of Russian porcelain Dmitry Vinogradov
Russia has always been famous for outstanding talents, however, the indisputable fact is that these people did not always have sweet and free in their homeland. Russian history remembers many geniuses whose life was ruined by the domestic system. A terrible fate fell on the lot of Dmitry Ivanovich Vinogradov, rightfully considered the father of Russian porcelain, who spent the last days of his life chained to a kiln.
A master was born in the ancient Russian city of Suzdal in 1720. In the early 1730s, the boy’s father, seeing his great inclinations for science in his son, sent him with his elder brother Jacob to study in Moscow, where they studied at the Spassky School at the Slavic-Greek-Latin Academy. I must say, this school was one of the most authoritative educational institutions of the state of that time. At one time, many outstanding personalities studied in it. Continue reading
“The Invisible Artist”, which creates paintings on people, like on canvases
Since today many acts of civil protest in China remain strictly prohibited, a well-known Chinese artist-photographer, master of the original creative camouflage of people, Liu Bolin invented a unique technique for expressing one’s own opinion and view on pressing problems of society. Working with his team of professionals, Bolin seems to dissolve himself and his employees in space, merging with the environment, which emphasizes that modern man is invisible and of little significance to government structures and those in power.
He, with the help of his assistants, fits organically into both urban and natural landscapes, as well as supermarkets and various works of art. Bolin as a canvas can stand, without moving, in one place for several hours against a selected background, while his assistants paint it from head to toe, trying to mix it with the environment. Continue reading
