demonstrate
Skillful fakes that museums took for originals
Artistic fakes are a very real threat that museums constantly have to contend with. Fake artifacts appear in many museums from time to time, which can be displayed for several years before specialists realize that this is a fake. For counterfeiters, the high price tags attached to these fakes are often an incentive to continue to create fakes. Art fraudsters often go to great lengths to trick museums into acquiring their work. Some fakes are so good that it is difficult for historians and archaeologists to distinguish them from real things. Among the museums that became victims of fakes is even the famous Louvre Museum, where for many years successful copies were exhibited instead of the originals, and no one even knew about it.
Three Etruscan warriors
In 1933, the New York Metropolitan Museum of Art added three new works of art to its exhibition. These were sculptures of three warriors of ancient Etruscan civilization. Continue reading
19th Century Girl Albums: Entertainment for Bored Aristocrats or a Separate Genre in Art?
The young ladies of the 19th century were not so different from the modern ones: they also needed attention, recognition, evidence of sympathy from friends and, of course, a cordial secret, which was expressed in allegories and symbols – often poetic. Now social networks are used for this, then – albums, quite intimate, but not closed from other manuscript books.
Album History
Unlike diaries closed from prying eyes, albums were created to be shown – to friends and relatives, to those who would also be asked to leave a record. The albums were filled with the “wrong hand”, but at the same time bore the imprint of the owner’s personality – it was he who determined who to include in his inner circle and whose work to keep as a keepsake. Continue reading
What impact do paintings of Savrasov, Levitan and other famous landscape painters have on people
To understand these landscapes, one does not need any art education, no general erudition, or even knowledge of the name of the artist. The painting itself appeals to the viewer, causing in it long-forgotten or, on the contrary, carefully stored feelings, touches into some strings of the human soul, intimate, personal. But the emotions caused by mood landscapes nevertheless turn out to be similar to those that others experience when looking at these canvases. And also with those that once made the artist take up the brush.
What are mood landscapes, and thanks to whom they arose
When, when looking at the landscape, the heart suddenly contractes, grips grips, or, conversely, a feeling of happiness arises, when it seems that the picture almost conveys sounds, the freshness of the wind, cold or heat – this is the landscape of mood. Continue reading
