Monthly Archives: September 2019
The riddle and curse of the “Crying Boy”: Why Amadio was called the devil painter
The Italian painter Bruno Amadio, who worked under the pseudonym Giovanni Bragolin, is considered to be the most dramatic and sinister artist in the history of art of the 20th century, who was called the devil painter. His name, in particular, is associated with a terrible story that terrifies many who have encountered his creation “The Crying Boy”, covered in a terrible legend, rumors and speculation.
A few words about the artist
Bruno Amadio (Giovanni Bragolin) was born in 1911 and lived a fairly long life, leaving a number of art paintings that depict crying children. Despite the fact that the artist lived in the last century, very little information has been preserved about him. After his life, there were practically no personal photos left, he never gave interviews to journalists, art historians did not write their reviews about him. It is only known that in the war years he was a member of World War II, who fought on the side of Mussolini. At the end of the war he moved to Spain, and already there he changed his real name from Bruno Amadio to Giovanni Bragolin. Later he lived and worked in Venice, was a restoration artist. Continue reading
Secrets of the painting “A Lady with a Parrot by the Window”: How the Smile of a Heroine and a Bird are Connected
Caspar Netscher is a Dutch artist of German descent, an outstanding portrait painter, and also a master of depicting everyday scenes of the Dutch elite. He also developed a technique that allowed him to imitate a wide range of textures: be it linen, satin or coarse fibers of an oriental carpet. Caspar Netscher is part of a triad of prominent Dutch Golden Age masters along with Rembrandt and Vermeer.
From the life of an artist
Netsher was the son of sculptor Johann Netscher. As a child, he was sent to Amsterdam to study with Hendrick Coster, a little-known artist of still lifes and portraits. In 1664, Netscher moved to Deventer to complete his studies in the workshop of Gerard Terborch. Having done this, he went to Italy in 1658, then to Bordeaux, where Netscher married Margaret Godin and lived there for several years. In 1662, in The Hague, Netscher became a member of the Society of Artists. At this early stage, he wrote small genre compositions, preferring the dark colors and themes of everyday life, which Terborch clearly influenced. Continue reading
Monet is a spot, Manet is a people: How to distinguish two masters of impressionism
Their acquaintance began with a big conflict, but later they became great friends. Monet — Manet is a story of long-standing friendship based on great respect and mutual assistance. When Monet was in financial difficulties, he wrote to Mane for help. Manet not only never refused to help his colleague, but after he found out about the illness of Camille, Monet’s first wife, he wrote off all Claude’s debts. Due to Monet’s influence, Manet more often painted in the open air and brightened his palette. These were not just real people, but also great talents with big hearts.
Eduard Manet was one of the first modernist artists of the 19th century to turn to the objects of modern life; he became a key figure in the transition from realism to impressionism. In addition, he was a key figure in the transition from realism to impressionism and one of the first in this era to portray modern life. Continue reading
