Fantastic take-off and the tragic end of the discoverer of Russian porcelain Dmitry Vinogradov
Russia has always been famous for outstanding talents, however, the indisputable fact is that these people did not always have sweet and free in their homeland. Russian history remembers many…

Continue reading →

Two brides for one groom: The riddle of a picturesque plot about the mystical betrothal of St. Catherine
Among the works of Renaissance masters and later periods in the history of painting, there are often those that depict "the mystical betrothal of St. Catherine." At the same time,…

Continue reading →

10 collectors whose investments in art are millions of dollars
The richest people in the world spend billions of dollars in order to collect a decent collection of antiques and art. Each collector has his own taste and his own…

Continue reading →

collections

How the main romantic of Germany Caspar Friedrich spoke about God with atmospheric landscapes

Caspar David Friedrich is one of the leading figures in the German romantic movement. His mysterious, atmospheric landscapes and seascapes proclaimed human helplessness against the forces of nature and did much to validate the idea of ​​the Exalted as the central problem of romanticism.

Family drama

Human helplessness and melancholy, high feelings of the hero in the paintings are caused by sad events in the life of the artist himself. By coincidence, Frederick knew death very early: his mother, Sophie Dorothea Behli, died in 1781, when Caspar was only seven years old. At the age of thirteen, Caspar David witnessed how his brother Johann Kristoffer fell through the ice of a frozen lake and drowned. According to some reports, Johann Kristoffer died, trying to save Caspar David, who also nearly drowned. His sister Elizabeth died in 1782, and the second sister, Mary, died of typhus in 1791. Sad circumstances with loved ones, as well as the immersion of the artist himself in spiritual and mystical poetry, influenced his work and served as the basis for the confirmation of Caspar David Friedrich as the leader of German romanticism. Continue reading

The riddle and curse of the “Crying Boy”: Why Amadio was called the devil painter

The Italian painter Bruno Amadio, who worked under the pseudonym Giovanni Bragolin, is considered to be the most dramatic and sinister artist in the history of art of the 20th century, who was called the devil painter. His name, in particular, is associated with a terrible story that terrifies many who have encountered his creation “The Crying Boy”, covered in a terrible legend, rumors and speculation.

A few words about the artist

Bruno Amadio (Giovanni Bragolin) was born in 1911 and lived a fairly long life, leaving a number of art paintings that depict crying children. Despite the fact that the artist lived in the last century, very little information has been preserved about him. After his life, there were practically no personal photos left, he never gave interviews to journalists, art historians did not write their reviews about him. It is only known that in the war years he was a member of World War II, who fought on the side of Mussolini. At the end of the war he moved to Spain, and already there he changed his real name from Bruno Amadio to Giovanni Bragolin. Later he lived and worked in Venice, was a restoration artist. Continue reading

Was there a boy, or what they argue about for many years, looking at Chardin’s picture “Prayer before dinner”

He was called the “artist of animals and fruits.” He had a significant influence on Henri Matisse and Paul Cezanne. In art, this artist sought naturalness and humanity as opposed to the official Rococo style. All this is about Jean Baptiste Simeon Chardin and his picture “Prayer before dinner.” What is the main debate of art critics about this picture?

The 18th century French artist Jean Simeon Baptiste Chardin was known for his still lifes and genre paintings. His refined and realistic style had a significant impact on a number of the greatest artists of the XIX-XX centuries, including Henri Matisse (1869 – 1954) and Paul Cezanne (1839 – 1906). Chardin’s canvases were simple, but workshops performed. The Chardin world is a world with feeling (and not gallantry), with humility (and not vanity), with simplicity (and not covetousness). For the bourgeois establishment, the works of Chardin represented a salutary contrast with the “decadent aristocratic fragility” of many of the artist’s colleagues (including Watteau). Continue reading

“Love Letter” by Jan Vermeer: Why the lute is central to the picture
Cristobal Balenciaga once said that “a good fashion designer should be an architect for patterns, a sculptor for form, an artist for design, a musician for harmony, and a philosopher…

...

Two brides for one groom: The riddle of a picturesque plot about the mystical betrothal of St. Catherine
The American artist Marilyn Sunderland covers her pumpkin sculptures with the plexus of leaves, flowers and berries, figures of fantastic fish, birds and butterflies, turning a regular vegetable grown in…

...

High Renaissance Titans: Who They Are and What Their Contribution to Art History
The Renaissance refers to the rediscovery of ideals from classical antiquity. Artists no longer thought about the art of antiquity. Now they had the tools, technology, knowledge and confidence to…

...