Was there a boy, or what they argue about for many years, looking at Chardin’s picture “Prayer before dinner”
He was called the "artist of animals and fruits." He had a significant influence on Henri Matisse and Paul Cezanne. In art, this artist sought naturalness and humanity as opposed…

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Monet is a spot, Manet is a people: How to distinguish two masters of impressionism
Their acquaintance began with a big conflict, but later they became great friends. Monet — Manet is a story of long-standing friendship based on great respect and mutual assistance. When…

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19th Century Girl Albums: Entertainment for Bored Aristocrats or a Separate Genre in Art?
The young ladies of the 19th century were not so different from the modern ones: they also needed attention, recognition, evidence of sympathy from friends and, of course, a cordial…

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brilliant people

Secrets of “Ladies with an Ermine”: What does the cute animal in the painting of Leonardo da Vinci hide

“The Lady with the Ermine” (1489-1490) is one of the most important works of all Western art, the subject of the greatest rarity of the genius Leonardo da Vinci and one of the four famous female portraits of the master. Modern art critics are sure – the white animal in the picture appeared for a reason.

Transformation of the picture
To date, only a small part of the picture has remained genuine, the rest has been repeatedly retouched: the entire background was darkened, the dress was changed, and the transparent veil worn by the woman was repainted in combination with hair color. Another adjustment of the unknown restorer was the addition of dark shadows between the fingers of her right hand (upon careful examination of the two lower fingers it is noticeable that they are significantly inferior to the others). However, the most important discovery of the picture was that the Italian artist did not write the work in one stage, but in three clearly distinguishable stages. Continue reading

“Love Letter” by Jan Vermeer: Why the lute is central to the picture

Cristobal Balenciaga once said that “a good fashion designer should be an architect for patterns, a sculptor for form, an artist for design, a musician for harmony, and a philosopher for fit.” And it is not surprising that in the 20th century he ruled high fashion with innovative clothing inspired by unusually traditional Spanish sources. The Basque fashion designer took replicas from regional clothing, folk costumes, bullfights, flamenco dances, Catholicism and, of course, from the history of painting. And in the end, he created what conquered the world for centuries.

The Balenciaga collection is full of stocky silhouettes, stooped shoulders and neat trouser lines. But the fashion house today, under the leadership of Demna Gvasalia, represents a completely different aesthetic than what Cristobal himself did during his lifetime. “They cannot be compared,” explains Eloy Martinez de la Pera, curator of the new Balenciaga and Spanish Painting exhibition in Madrid, which combines ninety works of the Balenciaga couture with 56 masterpieces of Spanish painting that inspired the designer. “Balenciaga’s story ended when he stopped making clothes. His story was extremely personal, but today Balenciaga has a completely different story, and it is also worth telling. ” And in order to truly recognize Cristobal himself, it is important to know the key elements of Spanish art that shaped his aesthetic vision. Continue reading

How the main romantic of Germany Caspar Friedrich spoke about God with atmospheric landscapes

Caspar David Friedrich is one of the leading figures in the German romantic movement. His mysterious, atmospheric landscapes and seascapes proclaimed human helplessness against the forces of nature and did much to validate the idea of ​​the Exalted as the central problem of romanticism.

Family drama

Human helplessness and melancholy, high feelings of the hero in the paintings are caused by sad events in the life of the artist himself. By coincidence, Frederick knew death very early: his mother, Sophie Dorothea Behli, died in 1781, when Caspar was only seven years old. At the age of thirteen, Caspar David witnessed how his brother Johann Kristoffer fell through the ice of a frozen lake and drowned. According to some reports, Johann Kristoffer died, trying to save Caspar David, who also nearly drowned. His sister Elizabeth died in 1782, and the second sister, Mary, died of typhus in 1791. Sad circumstances with loved ones, as well as the immersion of the artist himself in spiritual and mystical poetry, influenced his work and served as the basis for the confirmation of Caspar David Friedrich as the leader of German romanticism. Continue reading

How Peter Konchalovsky managed to avoid repression and why the artist was called the Soviet Cezanne
Not many painters who disobeyed the socialist regime in times of bloody repression managed to escape punishment. Today I would like to recall the name of one of them -…

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What is special about the landscapes that are called the most Italian: Veduta and Capriccio
History did not preserve the name of the tourist that the first one wanted to take away from Italy a picturesque "postcard" in memory of the trip and thereby laid…

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Beloved woman of Boris Kustodiev, in whose name he overcame hellish pain and created his best works
“Dear Yulik” - that’s what Boris Kustodiev called Yulia Proshinskaya, which was everything for the artist: a faithful and selfless wife, and the greatest love, and a devoted friend, and…

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