High Renaissance Titans: Who They Are and What Their Contribution to Art History
The Renaissance refers to the rediscovery of ideals from classical antiquity. Artists no longer thought about the art of antiquity. Now they had the tools, technology, knowledge and confidence to…

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10 collectors whose investments in art are millions of dollars
The richest people in the world spend billions of dollars in order to collect a decent collection of antiques and art. Each collector has his own taste and his own…

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How the primitive paintings of Grandma Moses influenced the course of the Cold War
Having crossed the age limit for 60 years, many no longer expect any fateful changes from life and quietly live out their lives. However, history knows many cases when older…

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Paintings of an artist who has loved one woman and one city for 60 years

It is not often that fate favors artists with benefits at the same time in all areas of life. Few people manage to walk a life and career on a smooth road, without bumps and sharp turns. Konstantin Fedorovich Yuon is one of such minions of fate. He was lucky in his work, he was lucky in marriage … And what else does a creative person need? Today in the review is an amazing story of the artist’s tremulous love.

Konstantin Fedorovich Yuon (1875-1958) – Russian painter, landscape master, theater artist, art theorist, with the title of academician of the Academy of Arts of the USSR, national artist, Stalin Prize laureate. And if in a nutshell to characterize his artistic work, then Konstantin Yuon was an excellent master of urban landscapes and theatrical scenery. He painted portraits, portrayed Russian nature and monuments of ancient architecture, painted ancient provincial Russian cities and small villages. Well, of course, he devoted the lion’s share of his heritage to Moscow, where he was born, lived his whole life and loved immensely.

Yuon began his work with the golden shining domes of Russian churches, the place of which after the revolutionary events was taken by large-scale canvases depicting parades on Red Square. Continue reading

7 beloved women by Pablo Picasso

“If he had not become an artist, he would have become Don Juan,” once said a friend of Pablo Picasso, the French playwright Jacques Cocteau. And it’s hard to disagree with him. You can write a lot about the views of the artist (creative, smoothly flowing into sharply political), family and friends (who have had a significant impact on his success), but this review will focus on the role of women in the work of Pablo Picasso.
In many ways, the stages of the artist’s work (blue, pink, cubic, etc.) were accompanied by the woman who was next to him during his life. To be more precise, it was the woman who led him to one or another stage of the creative path with the totality of her styles and directions. As Picasso himself admitted: “Life is extended by work and women.” Continue reading

How Peter Konchalovsky managed to avoid repression and why the artist was called the Soviet Cezanne

Not many painters who disobeyed the socialist regime in times of bloody repression managed to escape punishment. Today I would like to recall the name of one of them – Pyotr Petrovich Konchalovsky. In those terrible years, the artist managed to remain a “pure” painter who avoided the embodiment of socialist reality and portraits of its leaders in his creations. Moreover, to take as a basis for his work the direction of the hostile Western art, which is why he was named in his time – the Soviet Cezanne.

It should be noted that the great merit of Anatoly Lunacharsky, the first People’s Commissar of Education of the RSFSR, was that Pyotr Petrovich was allowed to create freely, despite the attacks of critics who longed for the proletarian coup and the ecstasy of socialist work in the artist’s works. Anatoly Vasilievich convinced the guardians of the dogmas of socialist realism that Konchalovsky in his modern day “sings the poetry of our everyday life” and, apparently, the People’s Commissar did quite well. Continue reading

“Love Letter” by Jan Vermeer: Why the lute is central to the picture
At the first glance at Jan Vermeer's famous painting “Love Letter”, the name seems far-fetched, because the letter itself is hardly noticeable. But the lute in the hands of a…

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What riddles Claude Monet left in his painting "Poppies"
Claude Monet is an artist whose name is inseparable from impressionism. He painted landscapes, water lilies, poplars, ladies in the garden, women with umbrellas, the London parliament, boats, the Normandy…

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High Renaissance Titans: Who They Are and What Their Contribution to Art History
The Renaissance refers to the rediscovery of ideals from classical antiquity. Artists no longer thought about the art of antiquity. Now they had the tools, technology, knowledge and confidence to…

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